The artist opens a work
A work is listed at its first mark: a ground, a sketch, a stretched canvas. The artist commits, in writing, to journalling it through to completion.
FIG. 01 — GLITXZ · WORKS IN PROGRESS
Own the workwhile the inkis still wet.
Glitxz is an artist-led platform where collectors bid on works in progress. Every stage is photographed, every decision is journalled, and the lot closes when the artist says the work is done — not before. Applications are open. First lots are not.
APPLICATIONS ARE OPEN · FIRST LOTS OPEN SOON
FIG. 02 — THE PREMISE
A finished painting hides how it was made. A stroke of ink cannot.
Glitxz is built on the second kind of honesty. Works are listed at their first mark and sold while they are still moving. You are not buying a photograph of an outcome — you are buying a position in a process, and a seat at the table while the decisions are still open.
01
Nothing is finished when it is listed.
02
The journal is not marketing. It is the receipt.
03
The artist keeps the hand. The collective keeps the record.
FIG. 03 — HOW IT WORKS
The room opens
Collectors bid live while the work is unfinished. Bids are pre-authorised on Stripe and released the moment you are outbid — nothing is captured until a lot closes.
The process is the product
Every session is entered in the journal. Photographs, materials, notes, false starts, and the parts that got scraped back to the ground.
The seal is pressed
When the artist decides it is finished, the seal goes on. Co-owners of the process are recorded against the work permanently, and the record travels with it. Position resale is not offered.
THE FEE — 12% TO THE HOUSE · 88% TO THE ARTIST · PUBLISHED ON EVERY LOT
FIG. 04 — LIVE NOW
Applications are open.
First lots open soon. The artist closes the lot, not a clock. 88% goes to the artist, 12% to the house. No card until a bid.
THE FEE — 12% TO THE HOUSE · 88% TO THE ARTIST · NO CARD UNTIL A BID
FIG. 05 — THE HAND
Artists, not inventory.
We do not sign work away from the people who make it. Artists list what they choose, set their own reserve, write the journal in their own words, and close the lot when the work tells them it is done. Glitxz runs the room, the money and the record.
Apply to the collective →No artists on the record yet.
The collective opens by application. Apply with a portfolio and one work you are willing to show unfinished.
FIG. 06 — THE JOURNAL
Process, in the artist’s own hand.
Read the journal →The journal opens with the first session.
Every work on Glitxz is journalled as it is made — photographs, materials, notes and the parts that got scraped back to the ground. Nothing has been written yet.
Editions, later.
Editions go up as works close. Nothing here is a substitute for the room. The shop is empty, because no lot has closed yet.
Visit the shop →Nothing is on the shelf.
FOR COLLECTORS
Take a seat in the room.
Free to join. Bids are pre-authorised on Stripe and released the moment you are outbid.
Create a collector accountFOR ARTISTS
Put your hand on the record.
Apply with a portfolio and one work you are willing to show unfinished.
Apply as an artist