FIG. 01 — THE ROSTER
The artists
Every hand on the platform, and the work each of them has open right now. A lot is one work in progress, listed at its first mark.
READING THE ROSTER…
FIG. 01 — THE ROSTER
Every hand on the platform, and the work each of them has open right now. A lot is one work in progress, listed at its first mark.
READING THE ROSTER…
FIG. 01 — THE RECORD
OPENING THE RECORD…
FIG. 01 — ARTIST
Oil, linen, slow · Lagos / Lisbon
Paints in nine-session cycles and refuses to varnish anything she is still arguing with.
PortfolioMira Adeyemi writes the process down as it happens — sessions, materials, setbacks, and the parts that got scraped off. The entry stays up whatever the work becomes.
A vermilion substitute that keeps creeping into the neighbouring wet passages. I have stopped fighting it and started placing it where the creep does something useful.
LOT 042 · MIRA ADEYEMI

The drawing is finished and it is the best thing in the painting. It will be under two more sessions of oil by Friday. This is the part of the job that never stops being a small…
LOT 042 · MIRA ADEYEMI

Rejected two rolls for the weave and one for the sizing. The one I kept is heavier than I usually work on and it has already changed how much oil the first pass will take.
LOT 042 · MIRA ADEYEMI