FIG. 01 — The record

The Journal

Every work on Glitxz keeps a record — sessions, materials, setbacks, and the parts that got scraped off. Written by the artists, not by us.

READING THE RECORD…

FIG. 01 — The record

The Journal

Every work on Glitxz keeps a record — sessions, materials, setbacks, and the parts that got scraped off. Written by the artists, not by us.

10 ENTRIES · 4 ARTISTS

10 showing

September 2026

Long read

Day 41 — I scraped the whole left side back to the ground

Three weeks of work, gone in an afternoon with a palette knife and a wet rag. The left side had become an argument with the right side and only one of them was telling the truth. The ground…

LOT 041 · KOJO BAPTISTE

Day 28 — A pigment that refuses to sit still

Layer eleven is a cadmium that lifts the layer beneath it every time I glaze over it. Two sessions lost to this. Keeping both of them in the record.

LOT 043 · TAM NGUYEN

NO IMAGE FOR THIS ENTRY

Day 28 — A pigment that refuses to sit still

A vermilion substitute that keeps creeping into the neighbouring wet passages. I have stopped fighting it and started placing it where the creep does something useful.

LOT 042 · MIRA ADEYEMI

Day 22 — The seal is pressed

It stopped moving. I waited another nine days to be sure, photographed it in flat light, and closed the lot. Three people held a leading bid on this while it was unfinished and all three are on the…

LOT 040 · INGRID SØRENSEN

NO IMAGE FOR THIS ENTRY

Day 33 — What the collectors asked, and what I said back

Someone asked whether I would sign it if I destroyed the left side. I said the journal is the signature and the painting is just where the ink landed. They bid again an hour later.

LOT 041 · KOJO BAPTISTE

August 2026

Day 06 — Layers one to four, photographed and buried

Four layers down. Each one is photographed in the same light at the same distance so the sequence reads as one thing when the lot closes.

LOT 043 · TAM NGUYEN

Day 17 — The under-drawing nobody will ever see

The drawing is finished and it is the best thing in the painting. It will be under two more sessions of oil by Friday. This is the part of the job that never stops being a small bereavement.

LOT 042 · MIRA ADEYEMI

Day 17 — The under-drawing nobody will ever see

Charcoal, then a wash of ash over it, then sumi. By the time this closes the drawing will be four layers down and only the photographs will know it was there.

LOT 041 · KOJO BAPTISTE

Day 09 — Choosing a linen that will outlive me

Rejected two rolls for the weave and one for the sizing. The one I kept is heavier than I usually work on and it has already changed how much oil the first pass will take.

LOT 042 · MIRA ADEYEMI

July 2026

Day 04 — Salt, and what it does to plaster

Laid the second plaster ground and salted it while it was still green. The bloom starts at the edges and works inwards, which is the opposite of what I wanted and better than what I wanted.

LOT 040 · INGRID SØRENSEN

FIG. 02 — Write to us

There is no weekly letter yet.

The record updates when an artist writes an entry, and this page is where it lands — there is no digest and no announcement list. Mail from us is transactional only: an outbid hold released, a lot closed, a shipment moving. If you want to hear about something in particular, tell a person.