FIG. 01 — THE ROSTER
The artists
Every hand on the platform, and the work each of them has open right now. A lot is one work in progress, listed at its first mark.
READING THE ROSTER…
FIG. 01 — THE ROSTER
Every hand on the platform, and the work each of them has open right now. A lot is one work in progress, listed at its first mark.
READING THE ROSTER…
FIG. 01 — THE RECORD
OPENING THE RECORD…
FIG. 01 — ARTIST
Sumi and ash · Accra
Sumi, ash and rabbit-skin ground. Journals every session, including the ones he loses.
PortfolioFIG. 02 — THE WORK
Kojo Baptiste writes the process down as it happens — sessions, materials, setbacks, and the parts that got scraped off. The entry stays up whatever the work becomes.

Three weeks of work, gone in an afternoon with a palette knife and a wet rag. The left side had become an argument with the right side and only one of them was telling the truth.…
LOT 041 · KOJO BAPTISTE
Someone asked whether I would sign it if I destroyed the left side. I said the journal is the signature and the painting is just where the ink landed. They bid again an hour later.
LOT 041 · KOJO BAPTISTE

Charcoal, then a wash of ash over it, then sumi. By the time this closes the drawing will be four layers down and only the photographs will know it was there.
LOT 041 · KOJO BAPTISTE